Stan Getz Quartet - Vol.1 download flac
Stan Getz In Quartet Feat
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Stan Getz Quartet at Montreux (Polydor, 1972 ). But Beautiful (Milestone 1974 ) with Bill Evans. Jazz Jamboree '74 Vol. 2 (Polskie Nagrania Muza, 1974) – split album with McCoy Tyner Quartet. Stan Getz My Foolish Heart Live at the Left Bank, Baltimore (Label M, 1975). The Best of Two Worlds (Columbia, 1975) with João Gilberto. Live jam sessions with various artists. Norman Granz Presents Jazz at the Philharmonic in Europe Vol. 4 (Verve, 1960). 2 (Verve, 1960). Jazz at the Santa Monica Civic '72 (Pablo, 1972). Newport in New York '72: The Jam Sessions, Vol. 1 and 2 (Cobblestone, 1972). Montreux Summit Volume 1 (Columbia, 1977).
Baker is heard as a special guest with Getz's quartet (which also includes pianist Jim McNeely, bassist George Mraz, and drummer Victor Lewis), taking vocals on the majority of the seven selections; his singing was certainly an acquired taste by this point. In general, Getz and Baker sound fine during their solos on such songs as "I'm Old Fashioned," "Star Eyes," and "Stablemates," although few surprises or sparks occur. Solid music that does not quite live up to its potential.
Stan Getz, Stan Getz Quartet, Джордж Гершвин. Stan Getz - I've Got You Under My Skin 03:14. Stan Getz - Wrap Your Troubles in a Dream 03:02. Stan Getz - There's a Small Hotel 02:52. Stan Getz - What's New 03:17. Stan Getz Quartet - trike up the Band 02:30. Stan Getz Quartet - Penny 02:51. Stan Getz Quartet - It Might as Well Be Spring 02:54. Stan Getz Quartet - Wildwood 03:05. The Perfect Jazz Collection - 25 Original Albums - Антонин Дворжак, Джордж Гершвин, Ирвинг Берлин.
Stan Getz himself is in fine form throughout, his tenor saxophone tone still as rich and full-bodied as ever (especially on his gorgeous opening solo on "I'm Old Fashioned"), and his backing group (Jim McNeely on piano, George Mraz on bass and Victor Lewis on drums) swings superbly. Baker's trumpet playing was also in much finer form than his voice, and during his better moments here-as on his interplay with Getz on a lovely version of "Star Eyes"-a bit of his old self shines through.
So Stan Getz and Chet Baker weren’t the best of friends offstage. It’s what they accomplished onstage that is of greatest interest to Jazz historians and most other listeners. Apparently, they were able to set aside their personal differences long enough at least to make lovely music together, as they sometimes do on Quintessence, a concert session recorded in Baerum, Norway, in 1983, and now released on disc by Concord. The trumpet resurfaces on Star Eyes, on which Chet takes his first improvised choruses, and as no problems are evident, the choice to sing instead of play would seem unrelated to any troubles he may have been having with his l! ip.
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|Long Island Sound|
|PrEP 1310||Stan Getz Quartet||Vol.1 (7", EP)||Prestige||PrEP 1310||US||1949|
|PrEP 1310||Stan Getz Quartet||Vol.1 (7", EP)||Prestige||PrEP 1310||US||1953|
|EP 173||Stan Getz||The Very Sound (7", EP)||Esquire||EP 173||UK||1957|