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The Mess We Made is an album by British electronic musician Matt Elliott, released in the UK by Domino Records and in the United States by Merge Records in 2003 (see 2003 in music). The album was Elliott's first to be released under his given name, having retired the Third Eye Foundation name with 2001's I Poo Poo on Your JuJu. Let Us Break" – 7:00. The Dog Beneath the Skin" – 7:50. The Mess We Made" – 5:26. Cotard's Syndrome" – 8:43. The Sinking Ship Song" – 7:20.
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The album is made up of 13 songs and includes the singles Downtown with Melle Mel, Grandmaster Caz and Kool Moe Dee and White Privilege II. Other features on This Unruly Mess I’ve Made come from Chance The Rapper, KRS-One, Anderson. Paak and YG. This is the follow-up to Macklemore and Ryan Lewis’ The Heist, which won the Grammy for Best Rap Album in 2013. Stream Macklemore & Ryan Lewis’ This Unruly Mess I’ve Made below: (This article was last updated on February 15, 2016 and is as follows.
This album has an average beat per minute of 127 BPM (slowest/fastest tempos: 85/169 BPM). See its BPM profile at the bottom of the page. Tracklist The Mess We Made. BPM Profile The Mess We Made. Album starts at 129BPM, ends at 140BPM (+11), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by Matt Elliott.
Look at the mess we had made. In all its lacquered glory and its tarnished failures. Stare at it. Understand it. And then leave. I was too comfortable. Being comfortable is what kills artists. The album arrives after the success of the group's comeback single, "Downtown," an ode to classic hip-hop that also featured pioneering MCs Kool Moe Dee, Grandmaster Caz and Melle Mel, which they performed at the MTV Video Music Awards last August. This Unruly Mess I've Made was recorded in the past year in the woods around their native Pacific Northwest. Check out the album trailer - in which Macklemore narrates his letter in an increasingly urgent tone - below and read the full letter right here.
The Mess We Made, Matt Elliott's proper debut as Matt Elliott is, at least atmospherically, just as shadowed and sinister as his late, orchestral Third Eye work. Despite some significant tactical shifts and a deliberate creep away from jungle electronics, it's time to dig back into your Matt Elliott vocabulary sacks and whip out the perfunctory TEF adjectives: spectral, nightmarish, spare. Drunken choruses seem about right. The Mess We Made vehemently demands an appropriate context, and few scenarios seem more apt for this collection than the tired, dull inebriation of a throbbing post-drink comedown, when attempts at concise vocalization turn into gooey, muted singalongs. Unseen roars, sighs and echoes slip in with every pause.
|1||You Told Me Your Story|
|2||Number 3 and Falling|
|3||Go All Out|